{"id":431292,"date":"2025-05-30T13:05:58","date_gmt":"2025-05-30T11:05:58","guid":{"rendered":"https:\/\/www.pcnen.com\/portal\/?p=431292"},"modified":"2025-05-30T13:05:58","modified_gmt":"2025-05-30T11:05:58","slug":"u-kanu-najavljen-nastavak-quo-vadis-aida","status":"publish","type":"post","link":"https:\/\/www.pcnen.com\/portal\/2025\/05\/30\/u-kanu-najavljen-nastavak-quo-vadis-aida\/","title":{"rendered":"U Kanu najavljen nastavak &#8216;Quo Vadis, Aida&#8217;"},"content":{"rendered":"<p>Novi film re\u017eiserke Jasmile \u017dbani\u0107 &#8220;Quo Vadis, Aida \u2013 dio koji nedostaje&#8221;, nastavak vi\u0161estruko nagra\u0111ivanog &#8220;Quo Vadis, Aida?&#8221;, uspje\u0161no je predstavljen u sklopu Cannes investors circle, Filmskog festivala u Canu, ali zbog izostanka adekvatne doma\u0107e podr\u0161ke, upitna je realizacija filma.<\/p>\n<p>Iako je projekat izabran kao jedan od 10 najboljih projekata i njegovo je snimanje predvi\u0111eno ove godine, zbog izostanka adekvatne doma\u0107e podr\u0161ke, realizacija je dovedena u pitanje.&#8221;Quo Vadis, Aida &#8211; dio koji nedostaje&#8221; je izazvao veliko interesovanje me\u0111u investitorima, predstavnicima evropskih fondova i klju\u010dnim akterima svjetske filmske industrije, a o filmu su ve\u0107 objavljeni \u010dlanci u vode\u0107im medijima poput Screen International, Variety i The Hollywood Reporter.<\/p>\n<p>Film &#8220;Quo Vadis, Aida? \u2013 Dio koji nedostaje&#8221; donosi nastavak pri\u010de o \u017eivotima pre\u017eivjelih genocida, njihovoj borbi za istinu, pravdu i dostojanstvo, pi\u0161e klix.ba.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Novi film re\u017eiserke Jasmile \u017dbani\u0107 &#8220;Quo Vadis, Aida \u2013 dio koji nedostaje&#8221;, nastavak vi\u0161estruko nagra\u0111ivanog &#8220;Quo Vadis, Aida?&#8221;, uspje\u0161no je predstavljen u sklopu Cannes investors circle, Filmskog festivala u Canu, ali zbog izostanka adekvatne doma\u0107e podr\u0161ke, upitna je realizacija filma<\/p>\n","protected":false},"author":1,"featured_media":310774,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-431292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vijesti"],"_links":{"self":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts\/431292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/comments?post=431292"}],"version-history":[{"count":1,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts\/431292\/revisions"}],"predecessor-version":[{"id":431295,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts\/431292\/revisions\/431295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/media\/310774"}],"wp:attachment":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/media?parent=431292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/categories?post=431292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/tags?post=431292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}