Snimanje dugometraz\u030cnog igranog filma\u00a0\u201eCrna truba\u201c\u00a0(radnog naziva \u201eBra\u0107a\u201c), reditelja\u00a0Bojana Stijovi\u0107a\u00a0i\u00a0scenariste\u00a0Stefana Bos\u030ckovic\u0301a,\u00a0zapo\u010delo je\u00a0na Grahovu u produkciji\u00a0Cut-Up d.o.o.\u00a0producenta\u00a0Veli\u0161e Popovi\u0107a. Direktor fotografije je Du\u0161an Grubin, dizajner produkcije Dijana Vu\u010dini\u0107, kostimograf Lina Lekovi\u0107, snimatelj zvuka Bojan Paliku\u0107a, \u0161minker i masker Vesna Bijeli\u0107, a ko-producent Vladan An\u0111elkovi\u0107 (Pelicula Production), dok je direktor filma Filip Poleksi\u0107.\u00a0Snimanje je planirano na pitoresknim lokacijama u Grahovu tokom mjeseca juna.<\/p>\n
Pored\u00a0Filmskog centra Crne Gore, ovaj projekat dobio\u00a0je\u00a0podrs\u030cku\u00a0i\u00a0od strane\u00a0Filmskog centra Srbije, a privukao\u00a0je\u00a0me\u0111unarodnu paz\u030cnju jos\u030c u fazi razvoja,\u00a0u\u010destvuju\u0107i na presti\u017enom programu\u00a0MIDPOINT Feature Launch\u00a02021 godine.<\/p>\n
Nakon 10 godina z\u030civota provedenih u\u00a0inostranstvu, poznati pisac Maksim Grahovac se vrac\u0301a u svoje rodno mjesto, crnogorsko selo Grahovo, sa namjerom da posjeti brata i dogovore se oko imanja koje im je ostalo u nasljedstvu. Maksim i Niko nisu bili u kontaktu veoma dugo i njihov odnos je vremenom postao krajnje distanciran i hladan. Na putu za Grahovo, Maksim sluc\u030cajno\u00a0udara\u00a0c\u030covjeka autom. Uplas\u030cen i u stanju s\u030coka, Maksim\u00a0bje\u017ei s\u00a0mjesta\u00a0nesrec\u0301e. Suoc\u030cen sa c\u030cinjenicom da sam ne moz\u030ce da rijes\u030ci problem u kom se nas\u030cao, Maksim se povjerava Niku i traz\u030ci od njega pomoc\u0301 da\u00a0zajedno po\u0111u na mjesto nesre\u0107e i saznaju \u0161ta se desilo.\u00a0Informacija da je poznati pisac stigao u selo, kod seljana izaziva euforiju i oni pripremaju veliki do\u010dek\u00a0u njegovu c\u030cast. Dok se u selu priprema slavlje, dva brata\u00a0poku\u0161avaju da rasvijetle\u00a0zloc\u030cin\u00a0\u010dime ujedno otvaraju\u00a0Pandorinu kutiju potisnutih osjec\u0301anja\u00a0me\u0111u njimakoji utic\u030cu na ishod njihovog plana.<\/p>\n
Uloge u filmu tumac\u030ce: Momc\u030cilo Otas\u030cevic\u0301, Marko Janketic\u0301, Milica Janevska, Sr\u0111an Grahovac, Gorana Draga\u0161evi\u0107, Ratka Mugo\u0161a, Strahinja Bubanja i drugi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Snimanje dugometraz\u030cnog igranog filma\u00a0\u201eCrna truba\u201c\u00a0(radnog naziva \u201eBra\u0107a\u201c), reditelja\u00a0Bojana Stijovi\u0107a\u00a0i\u00a0scenariste\u00a0Stefana Bos\u030ckovic\u0301a,\u00a0zapo\u010delo je\u00a0na Grahovu u produkciji\u00a0Cut-Up d.o.o.\u00a0producenta\u00a0Veli\u0161e Popovi\u0107a. Direktor fotografije je Du\u0161an Grubin, dizajner produkcije Dijana Vu\u010dini\u0107, kostimograf Lina Lekovi\u0107, snimatelj zvuka Bojan Paliku\u0107a, \u0161minker i masker Vesna Bijeli\u0107, a ko-producent Vladan An\u0111elkovi\u0107 (Pelicula Production), dok je direktor filma Filip Poleksi\u0107.\u00a0Snimanje je planirano na pitoresknim lokacijama u […]<\/p>\n","protected":false},"author":1,"featured_media":403605,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[547],"tags":[],"class_list":["post-403602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sta-ima"],"_links":{"self":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts\/403602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/comments?post=403602"}],"version-history":[{"count":1,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts\/403602\/revisions"}],"predecessor-version":[{"id":403606,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/posts\/403602\/revisions\/403606"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/media\/403605"}],"wp:attachment":[{"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/media?parent=403602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/categories?post=403602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pcnen.com\/portal\/wp-json\/wp\/v2\/tags?post=403602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}